Gardens are not illustrations of paintings; paintings and gardens teach each other how to frame a path.
In Japanese garden traditions, stepping stones, borrowed scenery, and seasonal pruning choreograph attention. Zen dry gardens and stroll gardens offer different tempos. Orchid Way uses garden photographs as atmospheric teaching tools, not as substitutes for named historic sites we do not administer.
Chinese and Korean landscape painting imagined traversable worlds. Sesshu's ink structures and Jeong Seon's true views rhyme with the idea that a viewer could enter. A garden makes that metaphor bodily.
Pair this path with Courts and canons and with artist entries for Sesshu and Jeong Seon. Do not invent Orchid Way ownership of any historic garden.
Public historical summary for teaching; not a catalogue raisonné.